![]() ![]() She isn’t the stoic assassin since she genuinely loves her daughter and stops the slaughter once revenge is done. It is the Kung Fu and Anime/Shonin trope but we are given more too since she feels. It is her going from apprentice to Master and defeating all the villains as well as her former master. The Bride’s arc is consistent throughout the entire thing. 2” of that type of action down a bit, since you don’t feel it as much. It is done well, but could have been done better, all these scenes feel longer than they should and the Bride isn’t fighting an army of people. 2” feels like it is a critique of that (The Bride beaten by Budd’s Shotgun and after beating a sword wielding Elle by pulling out her eye). 1” is solid though it goes on for a long time, while part of “Vol. In that way, he really is no better than O-Ren, who at least has trauma to justify her actions. The problem is this could have been handled better, and we had no reason to trust anything Bill would say…He’s the big sociopathic boss who is teaching the Bride’s daughter how to disregard life when we first meet him. 1,” and why Bill believes what he thinks he does in regards to what he did. 2” also answers a few of the whys…why Budd was saying they all deserve death at the end of “Vol. We also see how different Bill appears to be (though whether this is real or mind games is never given a definitive answer). 1,” but we get to see Budd’s life and how the guilt has nearly destroyed him. We don’t get to see much of Cottonmouth and her life before she is taken out by the Bride in “Vol. 2” is better at capturing the time change. 2,” so that when we get the reveal at the end about her daughter being alive and the respectful boss fight between the Bride and O-Ren you actually feel it and it means something. 1” also handles the timeline jumps much better than “Vol. ![]() The music and fight scenes are also better too…which are two of Tarantino’s strongest points as a director. 1” with O-Ren’s backstory and witnessing the trauma the Bride goes through to drive her forward on her rampage. Tarantino is best when he gets to fully expand on a character’s drive…which we see in “Vol. As a whole though, where does the story stand? Does “Vol. Tarantino is a master of his craft and you can tell as you watch that he loves the subject matter. ![]() The reason for this is how well is pays tribute to the themes it takes inspiration from, while taking an original approach to them (The Bride as the protagonist as an example, and most of the Assassin squad being women). 2” are some of my favorite films and stories. “For ridiculing you earlier, I apologise,” O-Ren says.“Kill Bill” as a whole and “Vol. However, by the end of the sequence, the Bride proves her wrong, which prompts O-Ren to ask for her forgiveness. Ahead of their fight, O-Ren makes fun of the Bride and belittles her skills with the sword. O-Ren Ishii had been waiting for the Bride. One such person who prominently features in her list is her former friend and skilled sword fighter O-Ren Ishii. The Bride wants revenge and so she makes a kill list. Here the music that plays is “Don’t Let Me Be Misunderstood” by Santa Esmeralda.īackgrounder: The Bride is betrayed, and she presumes her child dead she has been hoodwinked by her boss (who also happens to be her lover) and her colleagues/friends. As is well known, Tarantino painstakingly chooses the music that goes into every feature. What also hightens the effect of the splendidly choreographed and directed sequence is the background score. ![]() It is a dramatic style of filming that pays homage to the ancient art of Samurai sword fighting. However, my favourite is the long fight sequence featuring Uma Thurman’s The Bride and Lucy Liu’s O-Ren Ishii. There are numerous spell-binding moments in the 2003 Quentin Tarantino directorial Kill Bill: Volume 1. Kill Bill: Volume 1 was helmed by Quentin Tarantino. ![]()
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